You are currently browsing the tag archive for the ‘new york’ tag.
Oh PETA, oh PETA, with your naked protests and fake blood and…sea kittens. You mean well, but you come across as so…strange. There are better ways to draw attention to the plight of animals, and to encourage vegetarianism.
Most of your protests seem to be something more along the lines of trench warfare, getting down and dirty in crafting your next move. You tend to go for the shock value, trying to get at people’s guts rather than their hearts, with some success. I can’t deny, many a vegetarian has been created after visiting your website or watching your protests. Nothing wrong with creating vegetarians, most became vegetarian after learning about the violent nature of the meat and poultry industry, and depriving the industry of that insatiable demand for meat (and I suppose fur and other animal-derived products) is the best way to reduce these practices. Yet you haven’t shied away from using violent (throwing fake blood at people wearing furs) and underhanded methods in expressing your discontent with the industry as a whole, which seems to defeat the purpose of PETA. People are, after all, animals too.
I think what set me off is this article from Newsday, about a PETA protest at an elementary school in Hempstead, a town on Long Island. It’s one thing to target adults, who are at a point in their lives where they have the ability to grapple with the (often horrifying) details of animal mistreatment. It’s another thing to target young children, who are still vulnerable and cannot necessarily handle all those realities. What a way to target them too! Protesters dressed up as circus animals and handed out coloring books entitled “Circuses are not fun for animals.” Seriously PETA? Do you know what the ramifications are of that? These kids are young, they can’t logically say “oh I won’t go to the circus because they mistreat animals” and not run through the other, dizzying possibilities that exist, real or imagined. Let kids have their childhood, leave it to the adults to initiate change…since they are in a better position to do that than the kids are. I’m surprised PETA hasn’t gone around to school cafeterias dressed up as farm animals with propaganda to inform kids that their hamburgers and hot dogs didn’t come from a quaint, little farm.
There are better ways to inform our children that what they think they know about animals in their day to day lives may not be what it seems. Why scare them, especially at such a young age? That is incredibly irresponsible. Please, if you’re not going to tone down the nature of your protests, at least keep them away from children. Leave it to their parents and teachers to choose whether to tell them or not, and how to tell them.
There Really Is No Business Like Show Business
The time: January 2009
The place: Broadway
The event: A total of 14 productions (including three long-running Best Musical Tony winners, two shows with multiple Tony wins, three musicals by Tony-winning writers and/or directors, a high-profile revival of a play with Hollywood stars, the last original play by a recently departed playwright, two limited engagement holiday shows, one Chinese spectacle, and the triumphant return of Liza Minnelli) closed.
It’s Steven here from Penguins and Procrastination. Last summer, I worked at a well-respected, professional (or for those in the know, Equity) theatre upstate New York. In the lineup of shows were four popular musicals that can be brought up in everyday conversation. However, even with loyal patrons and repeat subscribers, the theatre had trouble filling the seats. With $4.00 gas prices and the urge to save money, regular theatergoers were not willing to make their annual trips to their favorite regional theatre or stay for the after-show cabarets. Similar situations have been seen across the nation, causing many regional theatres to shut their doors or be in danger of doing so.
These instances may be a serious wake-up call for any aspiring theatre professional, such as the one writing this blog post. And it is. The nation’s economic crisis has affected all industries, and it is no secret that Broadway and the theatre in general have been hit hard. What does this mean for someone like me who is taking his first steps into that elusive field called show business? A few things come to mind, and not all of them are scary.
In the midst of all the drama surrounding the economic state, I have found that New York City is never at a loss for theatre opportunities and auditions, and those auditions are teeming with talent. The theatre scene is just as competitive as ever. This is a good thing. Competition is a healthy aspect of show business. The quality of talent is not necessarily diminishing with the gloomy economy. Standards of talent have not decreased, which means that from an artistic point of view, the theatre continues to thrive.
It is a fact that in this economy, people still make a living by working in the theatre. It may true that actors have to accept gigs that pay less than they’re used to, but to be working in a show means a steady paycheck for the duration of that contract. Out-of-state theatre gigs and tours help people save money since they don’t have to worry about paying rent for however long the contract is (as long as they sublet their apartment or any similar alternative). Also, many theatre people have other jobs to help pay the bills. These jobs are flexible and don’t go out of style, whether it is working at a restaurant or offering services such as photography, web design, or music or dance expertise to fellow actors. Let’s be honest: someone working in the theatre probably knows what it’s like to have a smaller salary than someone working in corporate America, so a year of slightly less pay is manageable.
If the economy has scared anyone out of a career in show business, it hasn’t ended the life of the business itself. In fact, Broadway has adapted to the economic climate. Sure, intimate or experimental musicals such as 13, [title of show], and most recently The Story of My Life have all failed on the Great White Way, but there are only four empty houses on Broadway currently (that’s a low number of empty Broadway theatres). The focus of shows playing on Broadway has shifted to uplifting tales during economic hardship (like Mary Poppins, In the Heights, and the brilliant Billy Elliot) or family-friendly crowd pleasers (The Little Mermaid and Shrek). I realize that four of the five shows I just mentioned are based on movies, but this is a way the theatre has redefined itself to stay afloat. If this is not Broadway’s proudest trend, at least it has kept itself alive. (More screen-to-stage Broadway transfers coming up: Dolly Parton’s 9 to 5 and the U2/Julie Taymor Spider-Man musical, with Sister Act, The First Wives Club, Ghost, The Addams Family, Catch Me If You Can, and Slumdog Millionaire in the works.) This isn’t the first time a gimmick put Broadway back on its feet. In the aftermath of 9/11, jukebox musicals helped bring people back to the theatre. One of the original jukebox musicals, Mamma Mia!, is still playing worldwide and was turned into one of the most successful movie musicals ever.
The times reflect and reshape every medium within the entertainment industry. The requirements of a theatre professional are always changing, economic crisis or not. Of course, it is wise to be a bit more conscious about money right now, but the theatre is far from dead. I’m currently working at a dinner theatre in Florida with actors who are happy to be employed and audiences who relish a good night at the theatre. I’m also returning to that suffering theatre I worked at last summer for one of their biggest seasons yet in terms of the caliber of their lineup of musicals. The economy has claimed some victims in the theatre world, but this is all part of the natural evolution of theatre itself. Broadway will survive, the theatre will prevail, and the show must go on.
Steven holds a BFA in Musical Theatre from Emerson College. Originally from Long Island, he is currently performing in Thoroughly Modern Millie at the Show Palace Dinner Theatre in Hudson, FL. He urges everyone to support the performing arts in any way possible, especially in schools. Check out his blog, Penguins and Procrastination.
Despite reports by three New York newspapers stating the contrary, Caroline Kennedy has in fact, not dropped her bid. While the Post reported she dropped her bid due to a poor likelihood of getting the seat, the New York Times reported it was due to her uncle Ted Kennedy’s ailing health. However, David Gregory of MSNBC’s “Meet the Press” confirmed that Kennedy is still in the running.
Yay I really do want to see Kennedy in the Senate.
EDIT: She withdrew her bid this morning. Man, way to raise my hopes.
I will probably develop lung cancer before I leave NYU, and I’m probably only going to be there a year. No, I am not a smoker, never have smoked and probably never will (yes, this includes hookah). Yet never have I seen so much smoking in one place, ever. This is especially a problem near the Bobst Library. As soon as you step out of the library, you are enveloped in a cloud of smoke, courtesy of at least five or six people within a foot of the building, and another six or so another three or four feet beyond that. Walk down West 4th and you’ll encounter at least another ten or fifteen, smoking. Holding my breath is out of the question, it’s not like there’s much room to breathe clean air.
Am I just being whiny? I don’t think so. Everyone is entitled to good health, and everyone has a choice as to whether or not they want to smoke or not. Likewise, people should have a choice as to whether they want to breathe in someone else’s smoke. While people smoking on the street can’t be stopped, people smoking near buildings can.
There are already laws being pushed nationwide to set restrictions on smoking near buildings, most between 10 and 15 feet of a building, some as high as 25 or 50. In fact, the CUNY system has banned smoking on its campuses. Why not NYU or other private universities in New York State? Even Cornell was bad, but at least there was open air to allow the smoke to dissipate…not so much the case for colleges in New York City. Why do we have to pass through clouds of smoke to enter almost all of the buildings on campus? Why do we have to gag and cough at every step? I’m almost certain that there is law in New York calling for a 10 ft. radius outside of which people can smoke, though for the life of me I can’t find it. If there isn’t a law in place, there should be one and it should be strictly enforced. Washington state already has a 25 ft. ban in place, why can’t New York follow suit? Why are our politicians (pardon the expression) pussy-footing around this issue? Smoking has no benefits, it is a physical and societal detriment…why encourage it?
I’d like my lungs and voice intact. I sing, I talk, I laugh, and I live. I’d like to keep it that way, preferably for several decades if I can help it.


