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There Really Is No Business Like Show Business
The time: January 2009
The place: Broadway
The event: A total of 14 productions (including three long-running Best Musical Tony winners, two shows with multiple Tony wins, three musicals by Tony-winning writers and/or directors, a high-profile revival of a play with Hollywood stars, the last original play by a recently departed playwright, two limited engagement holiday shows, one Chinese spectacle, and the triumphant return of Liza Minnelli) closed.
It’s Steven here from Penguins and Procrastination. Last summer, I worked at a well-respected, professional (or for those in the know, Equity) theatre upstate New York. In the lineup of shows were four popular musicals that can be brought up in everyday conversation. However, even with loyal patrons and repeat subscribers, the theatre had trouble filling the seats. With $4.00 gas prices and the urge to save money, regular theatergoers were not willing to make their annual trips to their favorite regional theatre or stay for the after-show cabarets. Similar situations have been seen across the nation, causing many regional theatres to shut their doors or be in danger of doing so.
These instances may be a serious wake-up call for any aspiring theatre professional, such as the one writing this blog post. And it is. The nation’s economic crisis has affected all industries, and it is no secret that Broadway and the theatre in general have been hit hard. What does this mean for someone like me who is taking his first steps into that elusive field called show business? A few things come to mind, and not all of them are scary.
In the midst of all the drama surrounding the economic state, I have found that New York City is never at a loss for theatre opportunities and auditions, and those auditions are teeming with talent. The theatre scene is just as competitive as ever. This is a good thing. Competition is a healthy aspect of show business. The quality of talent is not necessarily diminishing with the gloomy economy. Standards of talent have not decreased, which means that from an artistic point of view, the theatre continues to thrive.
It is a fact that in this economy, people still make a living by working in the theatre. It may true that actors have to accept gigs that pay less than they’re used to, but to be working in a show means a steady paycheck for the duration of that contract. Out-of-state theatre gigs and tours help people save money since they don’t have to worry about paying rent for however long the contract is (as long as they sublet their apartment or any similar alternative). Also, many theatre people have other jobs to help pay the bills. These jobs are flexible and don’t go out of style, whether it is working at a restaurant or offering services such as photography, web design, or music or dance expertise to fellow actors. Let’s be honest: someone working in the theatre probably knows what it’s like to have a smaller salary than someone working in corporate America, so a year of slightly less pay is manageable.
If the economy has scared anyone out of a career in show business, it hasn’t ended the life of the business itself. In fact, Broadway has adapted to the economic climate. Sure, intimate or experimental musicals such as 13, [title of show], and most recently The Story of My Life have all failed on the Great White Way, but there are only four empty houses on Broadway currently (that’s a low number of empty Broadway theatres). The focus of shows playing on Broadway has shifted to uplifting tales during economic hardship (like Mary Poppins, In the Heights, and the brilliant Billy Elliot) or family-friendly crowd pleasers (The Little Mermaid and Shrek). I realize that four of the five shows I just mentioned are based on movies, but this is a way the theatre has redefined itself to stay afloat. If this is not Broadway’s proudest trend, at least it has kept itself alive. (More screen-to-stage Broadway transfers coming up: Dolly Parton’s 9 to 5 and the U2/Julie Taymor Spider-Man musical, with Sister Act, The First Wives Club, Ghost, The Addams Family, Catch Me If You Can, and Slumdog Millionaire in the works.) This isn’t the first time a gimmick put Broadway back on its feet. In the aftermath of 9/11, jukebox musicals helped bring people back to the theatre. One of the original jukebox musicals, Mamma Mia!, is still playing worldwide and was turned into one of the most successful movie musicals ever.
The times reflect and reshape every medium within the entertainment industry. The requirements of a theatre professional are always changing, economic crisis or not. Of course, it is wise to be a bit more conscious about money right now, but the theatre is far from dead. I’m currently working at a dinner theatre in Florida with actors who are happy to be employed and audiences who relish a good night at the theatre. I’m also returning to that suffering theatre I worked at last summer for one of their biggest seasons yet in terms of the caliber of their lineup of musicals. The economy has claimed some victims in the theatre world, but this is all part of the natural evolution of theatre itself. Broadway will survive, the theatre will prevail, and the show must go on.
Steven holds a BFA in Musical Theatre from Emerson College. Originally from Long Island, he is currently performing in Thoroughly Modern Millie at the Show Palace Dinner Theatre in Hudson, FL. He urges everyone to support the performing arts in any way possible, especially in schools. Check out his blog, Penguins and Procrastination.
The other day, while watching the evening news (something I try to avoid these days), I saw a sobering statistic – that unemployment in California is now in double digits. I instantly burst into tears.
Why?
I have a job I hate. And thanks to the sucky economy, I can’t quit.
Don’t get me wrong. I’m grateful for my paycheck. Two of my good friends, who used to be my managers and mentors when I worked for an enterprise-software company, were both let go within weeks of each other. They have mortgages and kids and spouses and tuition to worry about. I only have myself.
But that doesn’t change the fact that I can’t sleep at night or that my stomach is continually upset.
I really, really, really want to quit. And I can’t. Unless I’m willing to cash out my (quickly shrinking) 401(k) and hope I find a job before it runs out. Or unless I’m willing to put everything I own in storage and just live in my car until I find a new job. I’ve been sufficiently aggrieved to seriously consider both options.
My personal recession actually started 4 1/2 years ago, when the company I worked for was acquired, and I took the severance package. This big chunk of change represented a second chance to pursue the dream that originally brought me to Hollywood in the first place. You see, I’ve always dreamed of being an actor. And most actors live in a constant state of recession while they go on pointless audition after pointless audition, hoping for that one big break. Meanwhile, the endless, exhausting stream of going-nowhere activity makes it all but impossible to hold a steady, well-paying job. It’s literally Hollywood or bust.
After my severance pay and unemployment ran out, I started working as a contract freelance writer, making half of my corporate salary and paying twice as much in taxes. I compensated with credit cards. I charged my rent. I charged my food. I charged my acting classes. By the time I finally accepted that Spielberg wasn’t calling, I was $69,000 in debt. It was time to go back to work, and I took the first job smoking: a position as a marketing communications manager with one of the companies I freelanced for.
It was a nightmare from the start. Nearly the entire management team turned over, and the people who brought me in quickly left. The new regime pigeon-holed me into a role so limited, I felt like a bottom-of-the-org-chart peon.
No problem. I’d just keep looking. And in a few months, I’d be on to something more challenging and fulfilling.
Or not.
I didn’t count on the global recession. It came early to Los Angeles, thanks to the Writers’ Strike. In October 2007, there were lots of jobs to apply to. In November, when TV production halted overnight, jobs were instantly hard to come by, even in fields unrelated to the entertainment industry. The housing bust, which brought down Southern California-based companies like Countrywide, simply made a bad situation worse.
Eighteen months after I started the sucky job from hell, I’ve only had three interviews and no job offers.
Am I discouraged? You bet I am.
Anita is a take-charge marketer with 10 years’ experience in the technology sector. She lives in Los Angeles and holds a B.A. from Yale University. Check out her resume and portfolio.
I have been fascinated by Manuel Uribe’s story. For those of you who don’t know, Manuel Uribe is currently the heaviest man in the world, but is well on his way to losing weight having already lost half his body weight. I figured I’d see how obesity is in India, and found a table on Wikipedia that ranks the prevalence of obesity by state:
http://en.wikipedia.org/wiki/Obesity_in_India
So Kerala, the state where my parents come from, ranks at #2. Punjab is #1. Goa rounds out the top #3…no pun intended. So why is this the case?
I’m not a nutritionist, and I’m not an expert on all the dietary habits of the people in each of these states, but I will try to draw some reasonable conclusions.
I love Indian food, that’s the understatement of the year. India is itself a culinary amalgam of different spices and styles. From the richer, dairy-heavy dishes of the north to the comparatively simpler, but no less flavorful dishes from the south, India is full of great cooking. Indians, also, have a genetic tendency to deposit fat around the waist. Yet India, like the rest of the world, is caught up in this need to urbanize and forego traditional physical activity obtained through biking or walking. Some areas are growing faster than others, and maybe that’s why some waistlines are growing faster than others.
So what makes the top few states special? Let me try to break it down as best I can. Punjab (God bless them and their awesome food) is home to possibly the richest food in India. Everything’s steeped in cream and clarified butter (known as ghee), and while that makes that unspeakably delicious, it also sets people up nicely for extensive weight gain. Combine that with less physical activity and voila! Obesity!
Now, my home state, Kerala. Ok I wasn’t born there, but it’s from where my ancestors hail. Kerala, while being the most literate state in India, is the second most obese. Why? Here’s my guess, one word: coconut. Kerala, besides being “God’s own Country” is also the “Land of Coconuts,” and those coconuts are put to good use. Between the avial, mezhukkupuratti, uperi, puttu, and every other dish swimming in some combination of coconut oil and/or grated coconut, we have enough saturated fat to cause heart attacks every minute of everyday. Yet gone are the days of the farmers toiling in the paddyfields, the fishermen hauling in a fresh catch from coastal waters. Here are the days of driving to work, school, sitting around at home, and watching TV serials.
Can we reasonably eliminate all the foods causing this problem? No, it’s a part of our cultural heritage. Can we tweak things here and there to render them healthier? Yes. Our family uses olive oil in place of coconut oil for a lot of recipes, making for a much lower saturated fat content. In addition, we try to stay away from the fried things as much (although murukku and pakkavada are staples in Kerala). Likewise for dosa we use oil instead of ghee, just to spare us those extra fat calories. They’re still delicious. Same goes for any other Indian food, maybe substitute oil for ghee, and avoid (if not eradicate) fried foods from the diet. Exercise is key, cliche as it sounds. Indians may not be known for their athletic prowess (Russell Peter’s sketch comes to mind…) but hey, we do what we can. I love to dance, so that’s my physical activity of choice. Bhangra, bharatnatyam, whatever. Just get up and move.
It is ironic to consider that obesity is even present at all in India, given the image of a predominantly starving country. Yes, poverty is alive and well (unfortunately) and that is something that needs to be addressed. However, obesity is being overlooked, and with a growing middle class and a growing economy, obesity is bound to follow.


